3/30/2023 0 Comments Battman dooplosThe good news was the Martian Manhunter was free for use, since nobody cared about him. They’d been assigned to craft the first Justice League book of DC’s new era, but they weren’t allowed to use… basically any of the Justice League. But while the rest of the DCU engaged in a celebratory frenzy of updating its 50-year old heroes for the 1980s in any way they saw fit, Keith Giffen and Kevin Maguire were facing a slew of hamstringing restrictions. In 1988, there wasn’t a corner of the DC Universe that wasn’t, on some level, smack in the middle of reinventing itself, given carte blanche to buck its continuity. forgot to leave room for the Justice League. But it only happened when DC Comics editorial kind of. It’s the only superhero workplace comedy to ever be truly worthy of the name, and Batman clobbering Guy Gardner is its crowning moment. This punch remains one of the superlative moments in superhero comics because it is the essence of 1988’s Justice League International - The Office of the DC universe. A moment has to be more than that to endure in the minds of comic book nerds for 36 years. And sure, the moment that Batman decked Guy Gardner, the third Green Lantern, was a funny one, but Batman’s been funny before. ![]() But the time Batman punched Guy Gardner is something that Batman has never done again.īatman doesn’t usually find himself in situations that call for punching a Green Lantern, but it’s not unheard of. This will not make sense to anyone else, because most people who’ve never been inside a comic book shop (and decent number of those who have) have no idea who Guy Gardner even is. But ask a comic shop employee to finish the sentence “Remember that time that Batman punched…” and nine out of 10 times they’ll say “.Guy Gardner.” The Riddler longs to kill Bruce Wayne.Batman has had his share of iconic fights, with Superman, Bane, Ra’s al Ghul, and even Darkseid. The Riddler is obsessed above all with what he says is the most grotesquely crooked thing about Gotham City: the plutocrat Wayne family and Bruce’s late father who made fraud and crime the city’s foundation stone. So our antihero effectively joins forces with commissioner Gordon (Wright, lending his innate dignity and integrity to the role) to take down the Riddler, incidentally putting himself up against mob boss Carmine Falcone (Turturro) and his bloated sidekick Oswald “The Penguin” Cobblepot ( Colin Farrell) who don’t like questions being asked about who is doing the corrupting.īut wait. He sets out to whack the corrupt Gotham establishment one by one, including Mayor Don Mitchell (Rupert Penry-Jones) and district attorney Gil Colson ( Peter Sarsgaard), leaving quibbling questions for the Batman on Hallmark-type cards at the scene of each gruesome crime. Most exercised about this is the Riddler (Paul Dano), sporting a rubber gimp mask for his many social media appearances. ![]() But the city is still drenched in crime and addiction to a new narcotic called “drops”, to which law enforcement is clearly turning a blind eye. Gotham City’s political classes are complacently congratulating themselves on rooting out a major drug dealer, Sal Maroni. Joining forces … Robert Pattinson and Jeffrey Wright in The Batman. And this of course is happening in the sepulchral vastness of Gotham City, the brutal and murky world which Christopher Nolan thrillingly pioneered with his Dark Knight trilogy and made indispensable for imagining Batman on screen. ![]() You can imagine some growly voice saying “the Batman” – but not Tom Holland putting on a deep baritone to say he’s “the Spider-Man”, or Henry Cavill booming he’s “the Superman” (although maybe you could have Billy Joel stride into a dark Gotham City bar to raspingly confront “the Piano Man”).ĭirector and co-writer Matt Reeves has created a new Batman iteration in which Robert Pattinson reinvents billionaire Bruce Wayne as an elegantly wasted rock star recluse, willowy and dandyish in his black suit with tendrils of dark hair falling over his face but Wayne magically trebles in bulk when he reappears in costume and mask as the Dark Knight, his whole being weaponised into a slab-like impassivity. Adding “the” to Batman’s name has become a huge part of the brand identity, a sign of how elemental and atavistic this shadowy figure is supposed to be. T hat definite article means it’s the genuine article.
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